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Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Tuesday, 5 April 2011

How A Bad Robot Employee Is Making The World A Better Place Once Mile At A Time

Posted on 23:04 by jackson

A couple weeks ago, I had the pleasure of getting to chat with Josh Tate who is using his power for good this Spring and holding a charity event called Hell Walk to raise money for Children's Hope Chest. Part of our chat involved a visit to the offices of Bad Robot, a relaxed, yet invigorating environment filled with tons of collectibles and friendly faces. The waiting room alone is something to be marveled at. They encourage you to create art with their supplies while whoever you're meeting with heads over to fetch you. Spoiler Alert: I drew a cartoon cat.

Josh Tate himself is completely down to Earth, but not without a healthy dose of snark, as all awesome people should, and fits right in to the eclectically tranquil yet enthusiastic atmosphere of Bad Robot. His desk, around the corner from the front desk lined with toys of famous robots, features a statue of Starbuck, signed by Katee Sackhoff. When I ask him for recommendations, as I often do in interviews, he lists off amazing bar after amazing bar,

It probably sounds terrible, but I really like to go to bars (and miss them terribly while I’m training for Hell Walk). Here are some of the best: 

West 4th and Jane, James Beach, the back room of the Terrace, Ye Rustic Inne, The Drawing Room, Covell, the back bar at Hobo, The Arsenal, the back bar at Wilshire and the Shack in Playa Del Rey. And of course, Sonny McLean's, birthplace of Hell Walk.

Yeah. This dude is cool. Definitely my kind of person.

So what is Hell Walk and why should you care? Read on to find out.


*****


For the uninitiated, what is Hell Walk?

So Hell Walk is a 24 hour walk-a-thon around a hundred foot circle to raise money for providing schools and shelters for Orphans in Russia and Swaziland, Africa. It is heroically noble (laughs) - no, it was invented because I had not done a lot of charity work in my life and it got to the point where I thought, I've got to start doing better, and so I started volunteering for some charities around town and I enjoyed it, but there was still something missing. And so I talked to my friend Melanie one night at a bar, and I literally just described this whole conversation to her, I was like "I want to do this and I want it to be like this and this" and then at the end, we had this terrible idea called Hell Walk (laughs) it was just the worst. It's gonna hurt, it's gonna take forever, I can't drink for five months, I have to change my life, but that's what it is and it's actually kind of great. I mean, I have a love/hate relationship with it cause I have to live with it every day but it's changed my life for the positive like, infinitely, it's been really great.

What's the name of the charity?

The name of the charity we are raising money for is Children's Hope Chest and what they do is they work in orphanages all over the world. They're an international organization, so they have local chapters and the chapter in LA works with orphanages in Kostroma, which is a region in Russia and then Swaziland and so we just figured we liked the idea of an international charity and we like the idea of local people benefiting from it cause a lot of people who donate are from LA and it just felt like a good fit. They're great, they are nothing like me, they are devoted people who literally dedicate their lives to helping people they don't even know have food and shelter and safety and education. They're a small enough charity that I thought when we raise this money for them, it could really change their lives. And I think it sort of has so far.

What is your goal?

We want to hit 25,000 and right now we, at the end of February are at 7800. Most of the larger fundraising stuff is still in the future so I feel we're going to make 25,000.

How are you training?

Here's my day. I wake up at 5:30. I leave my apt in Los Feliz at 6. I drive to the west side cause I work on the west side to train at the gym in the morning. Then I go to Bad Robot, I work there til 7pm usually, like 8-7 every day usually unless it's a busy day and then I go to the gym after that to do weights. Then I go home and I watch a half hour of MSNBC and I collapse. And then on the weekends, I usually try to take Saturday off if I can, and then Sunday just do like a full 8-10 hours of something, whether it be the LA marathon course (If you go the LA Marathon website you can print out a list of turn by turn directions...and you can do almost the entire course..) or I go to USC a lot and just circle the track for 6 hours or so. Most of that's mental. There's a certain point where - if you and I had to walk 24 hours right now, we probably could if there was like, an army behind us, chasing us. But most of it is mental, getting past that block is going to be a mental hurdle, so that's sort of why I [train that way]. Hell Walk is gonna be, it depends on how much I degrade over time, but it'll be at least two marathons, almost three. My pace is about 3-4 miles an hour and so that comes out to about 80 miles.

More after the jump!



Have you been trying out different shoes to prepare?

I did, actually the first time I did it, I walked 12 miles in my Chuck Taylors. I thought it would be perfect cause it would make my feet stronger because there's not really any cushioning, but it hurt pretty badly. And then I did a couple barefoot with the same idea that also just hurt a lot, you get really sore, it's just unpleasant. Then I tried some Asics, they were okay, not great, I blistered up in them every now and then, and now I'm K-Swiss. Based on my sort of test today, I'm really excited. They're gonna be much better than anything I've had. I'm testing them out fully this weekend, going to do the marathon course again.

Has anyone done anything like this before, to your knowledge?

People have! I actually read about a woman who ran for 24 hours on a treadmill and she did 153 miles. And running and walking, it's like night and day, running is not walking faster, it's a whole different cardiovascular - blood sugar stuff going on. I'm sure some people have [done something exactly like Hell Walk, I don't know who they are, I hope they haven't, that'd be kinda cool.

Is there anything else K-Swiss is providing for you for Hellwalk?

I will be fully dressed in K Swiss. They have done me the ultimate mitzvah and I've become their biggest fan and customer. I'll never even buy Reebok again cause I'll feel guilty. It's true, I'm only going to buy K Swiss things from now on. Put it on the website - a challenge to anyone who can find me buying Nike or any other brand, if you can find me doing it, I'll give ya a hundred dollars.


So this has totally changed your opinion about anything?

Hell Walk has changed my opinion about so many things. Today changed my opinion about [shoes], it changed my opinion about friends, who I thought were casual friends and then literally a friend of mine I hadn't talked to in 20 years was the first person to contribute to the website without me even telling him it was there. He found it on my Facebook profile, he navigated to it, he read the stories, and the website was a week late, so I got pissed off, cause I was like, I need to get started, but the day it opened, within like a half hour of it actually going live, he donated 100 bucks. So it's amazing what you find out about people. People are so much more generous than I thought. (with a smile) I've had such a negative outlook on life until Hell Walk. It's completely changed. And that's partly joking, but there's some truth to that.

Have you been particularly athletic before now?

The story I always tell is I was a dominant center in fourth grade cause I grew very quickly. And so from the fourth til like the seventh grade, I was the center on the Basketball team. I was like 5'10 by the time I was in fourth grade. I was tall. I had dreams of an NBA future. Then I became a slow ninth grade forward and a truly pedestrian twelfth grade guard. So, yeah, my glory years were [elementary] school and early junior high school. I played football in high school and rugby in college. But then I also discovered beer in college and that just wrecked my whole athletic career. Like most people probably...


Are you already noticing a change in your health?

I have, I'm definitely in better health. There was a quick weight loss when I started training cause I stopped drinking too and it sort of plateaued a little bit now because what's happening is (smiles) I exercise a lot but I eat a lot because I'm famished and that's the only joy I have in my life anymore because I stopped drinking and going out so yeah...there's a lot of almonds and walnuts in my future. But I feel better, I feel refreshed when I wake up in the morning.


How are you going to eat on the day?

That's the good thing about walking is you can still maintain a mostly normal function, someone can hand me a drink, or I'll probably just do a lot of like, nuts, protein bars, fruit. I talked to my doctor about it and based on my measurement of calories, I'll burn about 14,000, so I'll need to consume about 6,000 just so I don't like, overwork myself and get into a state of complete disrepair. That's, what 6,000 calories, 300 calories a protein bar...oh that sounds hellish. (laughs) Ohh that sounds hellish.

Well it is the Hell Walk!

It's not the Heck Walk!

(As I covet his Hell Walk bracelets) Are these bracelets available?

These are, you know, anyone who wants one just email me and I'll send you one. At one point someone was like, why don't you sell t-shirts and raise money that way, why don't you sell wristbands, but I didn't and I have this gut feeling that if you just give things to people, they'll actually give you more money back than you would have been able to sell to them and that's worked out almost straight. Like, I paid for all the T-Shirts myself, I made them myself at Bad Robot, along with super intern Drew Dinker, I should mention that, cause he is my T Shirt guru. And I just ordered the wristbands, whenever someone wants one, they can just have them, you can have these, here. (Hands me a Hell Walk wristband) Seriously, take one right now. (I do, excitedly.)

What will the actual day be like, both for you and those attending the event?

On May 1st I will wake up and consider driving to Mexico, but instead I will probably go to Hell Walk and then at 8am, I will start walking. And it's gonna be cool! You know, at first I thought, oh I'll just walk around in a circle, that'll be fun, but we realized, no, no one wants to see me do that for more than twenty minutes. So we're going to have some bands playing throughout the day and we're gonna have food and beer for free, you can just come, hang out, listen to music, have free beer and free food, and watch me, you can walk with me if you'd like, people who want to come take a few laps and experience my own personal version of hell. And it'll last all day, you know, and I expect that the crowd will thin out during the night, but we're still adding to it, it's still building, we might add movie screenings or something, you know? Because we want people to have such a great time that they ultimately engage with the charity we're trying to direct attention to. Because after May 1st, I'm going back to real life for a little while, you know, but this charity is going to have to continue to work. And so hopefully people will have enough of a positive experience that after May 1st, that they'll still with Children's Hope Chest. I probably will too, I'm sure they'll be a Hell Walk 2, we just have to figure out what it's going to be.

What's the best way for people to help? Donations? Showing up on the day? Volunteering to help?

E. All of the above. Donations are obviously a huge part of it, it's something I'm terrible at, so anyone who wants to come to the website, you can donate right there. If you don't have money, but you have time, you can donate your time or if you have something cool, if you have a six pack of vitamin water I can drink while I'm walking - anything that you can give is amazing. If you have a band and you want to play, call me! If you're good, we'll put you on! But really, just get engaged, come to the website, follow us on Twitter, see if it fits, not every charity fits with every person, as you can tell by this interview, I'm a little bit of a smart ass, but if that's your vibe and that works with you and you can handle having fun and also doing some good works, then check us out.


How have your co-workers at Bad Robot been receiving this and reacting?

It's been great. On my desk downstairs is a jar. I think it was in the middle of December, someone was gonna throw away a big glass jar and the Hell Walk bracelet fit right on the lip of the jar and I was like, I should just leave this on my desk for the next six months and see what happens and there is probably 600 dollars just in there right now. Mostly of like, singles and fives. People come, guests come and they drop money in there. Yesterday a woman who was the aunt of one of our workers came in and gave $60. So it's insane, people just give money, and the support from everyone here has been awesome. If you walk down to the office, you'll see half the office has Hell Walk bracelets on. The support has been unbelievable. Cause I've been ditching work a lot to do things for Hell Walk and they've been very understanding.




When most people like me hear that you work at Bad Robot, they think it must be the coolest job ever -

It is, yeah it is -


Make us jealous for a second - what's the coolest thing about working here?

Here's the thing. So I've lived a long life and I've experienced things that I thought might be cool, and then you get to close to them and you're like, ehhhh, this is sort of lame. You have all these high expectations and it seems like they're never met, but they're met here. The people out there who watch our shows and watch our movies and have an idea of what it's like, it's better than what you think. You know, it's not a bunch of pencil pushers, it's not like cynical Hollywood people here, everyone in the building is excited about making things that are neat and then hopefully keeping them secret so that when people actually hear about them, they're surprised, cause there's so little surprise left in media, that it's sort of a core mission of this company. The perfect example of what Bad Robot, to me, is, is two weeks ago, I'm sitting in the art room, that's where my office is, and the visual effects artist is playing with a motion capture suit and they're animating people. So you could walk by and start moving and the Bad Robot will move on the screen. And then as they're doing that, one of our interns walks by with a broom down his back, covered in raffia and dressed like a scarecrow because our interns were making a short film that had a scarecrow in it. And just seeing that combination - it was this one vision of people moving their arms, the Bad Robot moving on the screen and then right beyond them, a guy walking by dressed up as a scarecrow. It was awesome. It's a great place to work. JJ, everyone in the building are just the nicest folks and they're also really talented. You know, a lot of people are nice, that's not hard, it's easy to be nice, you just be nice to people, yeah, then you're nice, but to be talented *and* nice *and* generous, is rare and I will never leave this place. Until they fire me (laughs).

How did you end up with a job at a place like Bad Robot - what was your career trajectory?

I was incredibly lucky to get this job. I literally almost fell into it. A friend of mine that I worked with at another company got a job here. I basically told her I would do anything she needed if I could get a job there. Literally, I said I would be the janitor if need be. Anyway, I interviewed, waited six excruciating weeks, and got hired. Without a doubt, the luckiest thing that has ever happened to me in my life.

Whats your title?

I don't know if I have a title. We don't really have titles so much here. I do a lot of stuff here, I work with all the people in the art room, the visual effects guys, the interns, I work a lot in operations with a lovely woman named Beth, who was the one who helped me get the job here, and then we do a lot of special projects, we just for Christmas this year build a thousand Bad Robot themed gingerbread boxes. We had to find the perfect box and then we were gonna put a stamp on it with a Bad Robot on it, but we decided we could do something better than that, so we designed a stamp in Illustrator that we sent to an engraver who then sent us an engraving back that we put into our letter press downstairs, this letter press is 120 years old, and so the box was stamped with that, and it's textured and it's got that debossed feeling so you can run your fingers over it and feel all the grooves. Inside that, we had the candy to build the thing, but we wanted to do our own - we didn't just wanna buy candy and give it to people, so we bought candy in bulk, and then bought heat sealers, so that it looked like a model kit, and hand sealed 7000 packs of different candies to go into these boxes and then the instructions had to look like an old model, so one of our visual effects artists designed this fold out sheet of instructions. And what else was in there? The mix, obviously, and other stuff, but it was a ten pound gingerbread box that our interns and myself and a few other people made in this building. So, stuff like that. (Laughs) Stuff that has nothing to do with television or film at all, you know at all. But that's sort of part of the life here too, that it's not just film and tv, there's a huge practical arts aspect of Bad Robot, we have silk screen downstairs, we make our own stuff in house when we can, it's cool.


Are there any Hell Walk pre-events that people can get involved in?

They are, we're still scheduling them right now, so the ideal way to do it is to go to Twitter, and follow @Hellwalk2011 or you can call me anytime you want, my number's 310-741-9106, you can prank call me, I enjoy a good prank call if it's well done, and we'll put you in touch and we'll call you, we'll email you. You can email me, josh@badrobot.com <mailto:josh@badrobot.com> and I'll let you know what's going on with Hellwalk. But call me actually, cause no one ever does that! People leave their phone numbers and dare people to call them, but no one ever does so, call me, I'll let you know what's going on.


Is there anything you'd like to recommend to our readers? Anything you've been into lately that you want to pass the word on about?

Things around LA or books, culture?

Anything like that.

Oh, there's so many things. The TV show Southland is so good...it's such a good - and especially if you live in LA, and you interact with policemen, it's such a good show and I'm afraid it's going to get canceled. Cause it's not the biggest, you know, it's not Glee.


Any movies coming out you're psyched for?

Super 8, hell yeah! I can't wait to see Super 8. You know I'm so out of touch with movie culture now because of f***in Hell Walk. (laughs) All my time.

Oh here's one I'm excited about! The Adjustment Bureau. I've already seen it, it's really good (I freak out with joy - I was worried when it got pushed back). It's a good flick. It's ambitious and ambitious movies can fail in certain ways and this does have a few parts where you're like, oooh, they just kind of missed, but it's great to see a big Hollywood movie be well mounted, with great actors, great visual effects, that is trying to tell a story that hasn't been told before, so I recommend everyone go see it. (Note: I did. Based on his recommendation.)

Go to Big Dean's, great place to get burgers, Big Dean's on the Ocean. Go to Sonny McLean's, my favorite bar, that's the birthplace of Hellwalk! It started in the middle two barstools and they have great beer there, which I don't drink anymore, cause I'm stupidly deciding not to, but they have great craft beers, the best beer in the world, Delirium Tremens on tap, can't beat that, it's $9 a glass, but it's worth it. 26th and Wilshire. Delierium Temens is a belgian beer, I think it's a triple. It's really good, sweet, strong, not a belgian white though. Just drink it!

*****

A couple days later, Josh let me know that on April 9th, a pre-Hell walk fundraiser will be held at its birthplace, Sonny McLean's.  For details on how to attend, click here. Be sure to check out the Hell Walk website here and get involved if you're so inclined. Oh, and in case you haven't seen it, here's the trailer for Super 8. Can it open now please. And if you want a Hell walk bracelet or shirt, if you have a band and you want to perform at the event, don't hesitate to shoot Josh an email - or call him if you're brave enough. He's the real deal and hopes to share his excitement over this charity event with as many people as possible.
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Posted in Bad Robot, Hellwalk, Interview, Josh Tate | No comments

Friday, 25 February 2011

Interview with an Academy Member - 2011

Posted on 09:00 by jackson

Every year, numerous publications, including the LA Times & Entertainment Weekly, reveal how anonymous Academy members voted, in the hopes of shedding some light on the way this years Oscars go down. Last year we were lucky enough to chat with a member who most often votes off the beaten path and he agreed to talk to us again this year, this time going even more in depth.


How do you think 2010 fared in general?


Overall, I actually think it's been a very impressive year. It may not have been very deep in terms of quantity of good films, but the top 10-12 were pretty exceptional. As a matter of fact this is the first time since I've been in the academy in which all the films I nominated actually made it on to the final ballot. I have heard some murmuring about this year's films lacking in some way and just last week on Show Business!, Peter Guber complained it was not a particularly great year because he didn't see any "Godfathers" out there. Truth of the matter is that I don't see any "Godfathers" in many of the recent Best Pic winners, so I'm really not quite sure what he was talking about. It certainly wasn't The Departed or No Country for Old Men. In terms of cinematic scope, I'd have to look back to Return of the King, and in terms of perfection, I think you'd have to go all the way back to Shakespeare in Love, but still neither of those touch The Godfather. So, I guess what I'm saying is sure, we'd all like to see more "Godfathers" being made, but in the mean time, this year's crop is a pretty damn good one.


What is your philosophy when it comes to filling out your ballot?


Well by the time I get the ballot I have tried very consciously to have already seen all of the major contenders and beyond, and then if I've seen all five nominees in a given category, I'll fill out the ballot IMMEDIATELY. This way it reflects my true gut feelings about the work itself. It is after all an Academy of motion picture arts and sciences, it's not about commercial success or "pimping" yourself to win (as one actress has infamously described her campaign). I can understand a studio campaigning for a film just to be sure that it's seen by as many members as possible, but it's hard for me to accept that one actor wants to have an Oscar more than any of the other nominees. So taking out an ad that essentially says "pick me because I want it more" seems counter intuitive to awarding the Oscar based on the performance alone. One of the major benefits of filling it out as soon as possible is to avoid being influenced in any way by all of the ensuing typical Oscar campaigns.


Was Supporting Actress a category you filled out before all the controversy, or did the ad end up affecting your choice?


I had seen all five nominees and in all honestly it was a no brainer for me to pick Hailee Steinfeld, who basically stole the entire picture and on whose shoulders the story rested. I thought Melissa Leo's performance in The Fighter was terrific, I could also name half a dozen other actresses who could have hit it out of the park as well. However it took looking at something like 14,000 girls to find Hailee Steinfeld and she was uniquely spot on. All of this being said however, if Julianne Moore had been nominated in this category, I very probably would have voted for her because she was the heart and soul of The Kids Are All Right and although that film is as close to an ensemble piece as the Best Picture nominees go, she truly supported every other performance in the movie. Her performance also took me by surprise in that it's the warmest, earthiest, most sensual, most vulnerable, most lovable that I've ever seen her in a film. She made the pivotal scenes with Mark Ruffalo believable and organic, when they so easily could have been cliched or come across as a stereotypical male fantasy.


Clearly Moore was a snub you weren't happy with, was there anything else you disappointed to see not receive a nomination?

First I have to reiterate that we Academy Members never get together and decide to snub someone. And for all I know, Julianne Moore pulled herself out of this category because her not getting nominated is incomprehensible to me. The only other film I wish had been nominated was Tangled for Best Animated Film as it came closest to giving me as an animation lover everything I enjoy about classic animated films. I didn't think the animation itself was as beautiful as it could have been, but the voice performances, the screenplay, the humor and the music were wonderful, as well as the twist of changing Rapunzel's rescuer from a prince to a thief, which worked extremely well. Everything about it seemed genuine, especially the lead performances and so your emotional responses to the story were more authentic than they were to Toy Story 3, which to me seemed to be working overtime to manipulate your emotions. The Illusionist was beautifully animated, but I can't say the story was all that engaging and while I really enjoyed the story, music and flight sequences of How To Train Your Dragon, the character design and particularly the lead voice acting and the dragons themselves just weren't very appealing. If Toy Story 3 had recused itself, as I think any animated film nominated for Best Picture should, that third slot would have most likely gone to Tangled. And just to clarify, I'd feel the same way about a Best Foreign Language film. If it should be nominated for Best Picture, it should not also be nominated for Best Foreign. I don't think there should be a built-in consolation prize.


Which were your top 5 and in which order were they nominated?


1. The Social Network

2. True Grit

3. Black Swan

4. Inception

5. The Kids Are All Right



So The King's Speech, the front runner, didn't even make your top five?


When I saw the movie, my first reaction was Colin Firth just gave the best performance of his career, deeply nuanced from the inside out... and is going to win an Oscar, but I honestly did not think I just saw one of the best movies of the year. It's that simple. I don't mean to diminish it in any way whatsoever by saying it would have worked as well on television, because I think some of the best television ever made is being produced now, but ultimately, it's was just not as outright cinematic as the films I did nominate.


What was your pick for Best Director?


I hope it's Fincher's year. There's not much else to say other than The Social Network was brilliantly directed. I've seen it 3 times now and it impressed me more with every viewing.


What was your pick for Best Actress?


I thought all 5 leading performances were absolutely wonderful this year, but I put the check next to Natalie Portman as soon as I opened my ballot. Jennifer Lawrence and Michelle Williams gave beautiful, subtle performances and I loved Annette Bening, but simply did not see that role as either the lead character or her best work. Natalie Portman's immersion in that character is what made Black Swan as stunning as it is and she was breathtaking in it.


What was your pick for Best Original Screenplay?


The King's Speech kind of carved its story out of historical tidbits and existing works whereas the Kids Are All Right was a wholly original, authentic, genuine portrayal of truly complex relationships thats is also very relevant to what's going on in our society today. It reflected the way that real people really speak and interact and it actually felt original, like something you hadn't seen before, which I don't think was accomplished by The King's Speech's screenplay, as well written as it might be.


Anything else you'd like to say?


On a side note, I wish there was someway to acknowledge the animated sequence in Harry Potter, which is probably among the finest animation I've seen this year in any context or format. I can only hope that if Deathly Hallows wins either of the categories it's nominated in (Art Direction, Special Effects), that the animator gets a well deserved piece of that award.

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Posted in Awards, Interview, Oscars | No comments

Tuesday, 25 January 2011

Paul F Tompkins & James Urbaniak FTW! [Interview]

Posted on 16:01 by jackson


When I attended the Thrilling Adventure Hour last month, I had the pleasure of getting to sit down with Paul F Tompkins & James Urbaniak, two longtime Workjuice Players who also happen to be in a film called Drones, written by Acker & Blacker, the same boys who write Thrilling Adventure Hour. Tompkins & Urbaniak were both incredibly delightful and easy to talk to - we got into both projects as well as what their favorite things from 2010 were...a quick chat, but super fun. I can't encourage you enough to buy your tickets to the February Thrilling Adventure Hour if you live in the LA area! See these two in action!

(I'm introduced as being from All Things Fangirl & Cineboobs)
They're lady websites in case you couldn't tell

J: I had a feeling!

P: I bet there's some confused dudes that go there though!

J: Co-opting the terminology for your own purposes

So how did you guys get involved in all this? In it from the beginning?

J: He was in it way before me

P: I was in the very first one, way back when, I was one of the founding Workjuice Players, which I guess is coming on 5 years now? Something like that? And I've known, first Ben Acker, for a long time, and then met Ben Blacker, It's funny, I THINK, through this show. I may have met him before then, but it's hard to remember sometimes, because there's so many people that you've known for so long, you kind of can't remember where they came in in your own personal timeline.

J: And I moved to LA from NY 3 and a half years ago, and then probably sometime within the first year, I had met Acker, I'm on a show called The Venture Brothers on Adult Swim, and he knew that show, I guess he knew who I was and he invited me to come see this and I loved it and then he said well we'd love you to do one, then I did one, then he asked me back the next month, and then in short order, I just became a regular and I've done them all since then, except a couple times when I was out of town and I think I was sick once.

The rest after the jump!

When you first found out about this, did it seem more scary or fun? What was appealing about it?

J: Sounded fun to me, I always loved listening to old radio and I enjoy that sort of slightly old fashioned performing style, which there is an element of in the show, so that was appealing to me.

P: For me, as a lazy actor, any time I get a chance to read during a performance, I'm all for it.

J: That's right, it's all - we hold scripts

P: But I love this kind of thing, what I really like about this show in particular is that the sensibility, it's not just slavishly recreating an old timey thing for the sake of doing that and it's not a sort of mean spirited parody, those guys have a very modern comedic sensibility and it's them applying their sensibility to an older thing as opposed to trying to recreate a thing that doesn't exist anymore. They've not necessarily updated it it's weird, it exists it in its own universe -

J: - it does it's ostensibly like a 30s 40s area that it takes place in, but -

P: - it's never really said -

J: - Yes, it's never really said and there are modern jokes and things, but the writing is so specific and really embraces the style in this really great way, like if they went back in time, they could easily write for those actual shows, and they wouldn't actually have to change what they're doing that much, they would just sort of adapt it to the culture of the time that these shows took place in, the same way they're adapting it to our time, so it's kind of great, yeah

Does Drones have a similar sensibility?

P: I think the dialogue inDrones is VERY much Acker & Blacker, it's got their signature on it For. Sure.

J: There's an element of the fantastical in this show, one of the storylines is about an Earth sheriff on Mars and Drones has this intergalactic element to it, so there are different thematic parallels. And there's a certain rhythmic quality to the dialogue that's similar that's very playable and fun to perform.

P: There are a lot of arguments about feelings, there's a lot of people in their universe who take things personally -

J: Yeah! Ostensibly, like, these fantastical environments like Mars or being in the midst of an intergalactic war, people just get into these sort of petty little pockets -

P: Yes

(over laughter)

J: Of personal issues -

P: - which become very important - and you can't move on until that is resolved.

J: Yes, they've got a corner on that comedy dynamic

P:  It's like, before we deal with this threat -

J: the worlds gonna blow up!

P: - I need to know what you said to me was insensitive

J: Yeah, I don't like the language you were using!

**Mild tiny spoiler alert***
 
Are your characters in the movie, humans or aliens, how much can you say?

J: I am a human being, although it's an open question in the beginning, that's sort of the fun of the movie, it's established fairly quickly, so it's not that spoilerish to give away who is what in that movie -


P: Yes, yes that's true -

J: but sort of the joke is that everyone's kind of an alien freak

P: I play an alien you do not see, but you do hear

J: Oh, it's just the voice of an actual alien that communicates with one of the office aliens through the copy machine

***end tiny maybe spoiler***

Why should everyone see Drones?

J: Well, that's always the question they ask at this interviews

P: WHY should we see this?!

So you gotta have an answer prepared, right?

P: She really got you there. See, this is an exchange worthy of an Acker & Blacker script.

J: Because it's very funny and it was created by all of these people who know each other and it feels very lived in and is all the funnier for that. There's kind of a very convincing sense of history and reality to the characters set against this fantastical, ridiculous story. That I think makes it very unique and very funny, sort of understated in a way and yet the subject matter is about intergalactic warfare. So it's this very funny take on (laughs) a sort of science fiction movie where all of the intergalactic issues are just referred to by these people in their cubicles having arguments about interpersonal relationships and office productivity. So I think it has a very specific voice and point of view that's surprising and hasn't really been seen in that way. That would be my answer

P: And I think the way it came about too, the way it was created, there's a sort of urgency to it, with the threat that's happening in the movie and the fact that it all takes place over just a handful of days, it's got a really fun pace to it.

J: And it was put together in a funny way because the producer, Jordan Kessler, wanted to work with Adam & Amber who directed it, and they hadn't quite found the right thing, and then there was an inciting incident. (Paul laughs). Where Jordan called them and said Guys, I've got an office in Baton Rouge that's available, it was like between companies, and they said, do you have anything that takes place in an office and they say let me get back to you, they call Acker & Blacker and it so happens Acker & Blacker had an idea for Drones, this office comedy, but it was only an idea, they hadn't written it yet, and they said literally, give us a week, and then within a week they had a draft and then I think within like a month they were setting up the set. It was like the old days of Roger Korman or like with Little Shop of Horrors was made, cause that was a leftover set from another movie that they still had a couple days on and Korman says hey we have two more days in this location, can we write another movie?

P: Right, (laughter)

J: And they did. This wasn't QUITE that, but we shot it in two weeks, which in terms of filmmaking is kind of like shooting in two days?

P: Yeah, in this modern age

J: (laughs) in this modern age! So, yeah, it was all just done & put together very quickly, but by a bunch of really talented people, and it just has this wonderful energy to it. 

Last question, off the top of your head, top five anything of 2010 - no category, just favorite things.

J: Wow! Oh. Well. I don't follow "things". (Paul cracks up)…I don't follow anything

P: He really is not a thing-follower it's true...for a movie, I gotta say True Grit.

J: Sarah Palin's Twitter account has been an unceasing source of hilarity.

P: The SuperEgo Podcast, which I got into this past year

J: I don't really watch any shows with any regularity, I'm trying to get better at that, and I hardly see any movies - I have little children, so I stay at home a lot and we don't rent that much really

P: For my show, I would say The Walking Dead - this is good, you keep coming up with things you didn't see, and it inspires me to think of things I *have* experienced

J: I said Sarah Palin's Twitter account!

P: You did, which led me to Superego Podcast. You don't see any shows, which led me to The Walking Dead.

Wait, Sarah Palin's Twitter account or Sarah Silverman's Twitter account?

(Paul laughs)

J: Palin!!

P: Oh, you heard right!

J: I follow her! That's been a remarkable thing to experience. Uhhh, that's a really good question, I'm trying to think. Oh! Avi Buffalo's album! They are a really good band and I bought their record (looks to Paul) - I got a thing! He's a really young guy, like 20 years old, writes all of their songs, he's really talented…so that's definitely up there, I can't remember what the album is called - Oh, it's called Avi Buffalo! It's eponymous. I enjoyed True Grit very much as well. Oh! When did the prior Coen Brothers movie come out?

Me &amp; Paul: A Serious Man, was 2009

J: It was?

P: Yeah, cause it was nominated for awards & such…didn't it win something? I thought they won something. No one will ever know. It's impossible to find out. A time machine has not been invented yet. Someday maybe. Future generations.

Samm [Levine] said True Grit too!

P: Have you seen it?

Oh yeah, loved it.

J: It's the most recent great thing people have seen. I'll think of more things later! I'll tell you after the show.

And silly me never found him after the show...but a fun fact from the evening - I asked Samm Levine and John Dimaggio what their top fives were as well, and here's how they answered:

Samm Levine:
(Chose to answer in movies)
Inception
The Town
True Grit
The Fighter
Jackass 3D
- "why? Flying dildos in 3D makes me laugh every time."

John DiMaggio:
True Grit
Futurama back on the air
Recording Gears of War 3
First year in the first house he bought
His dad getting better

So all four of my interviewees named True Grit as a favorite of the year! This makes me happy :). I loves me some cowboys. And also, I really love John DiMaggio, just side note. He is effing cool.

But most importantly, I loves me some Thrilling Adventure Hour. I'll be back this month, seeing guest stars Jason Ritter & Simon Helberg! Huzzah! Hope to see you there too, readers :)
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Posted in Comedy, Event, Interview, Los Angeles, Movies, The Thrilling Adventure Hour | No comments

Wednesday, 30 June 2010

Wonderwall's Jr Reporter Cracks Up Jason Segel

Posted on 18:01 by jackson

Wonderwall's ace junior reporter, Lucy, recently interviewed Jason Segal about his new movie, Despicable Me. When I saw a tweet today from @UniversalPics that contained the words "Wonderwall" and "Lucy" I IMMEDIATELY had to watch because I used to babysit the dynamo journalist-in-the-making Lucy and yes, she's just as awesome as she seems. She cracks Jason Segal up. Which means she wins ALL the points.

Watch the adorableness for yourself below and be sure to follow @WonderwallMSN for more Lucyfied reports!


<a href="http://video.msn.com?mkt=en-us&amp;playlist=videoByUuids:uuids:9f3685fd-966d-a2d4-2850-28135264e4f9&amp;showPlaylist=true&amp;from=IV2_en-us_wonderwall" target="_new" title="Wonderkid Report -- Jason Segel">Video: Wonderkid Report -- Jason Segel</a>
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Posted in Animation, Comedy, Despicable Me, Interview, Jason Segal, Kids, Movies, MSN, Wonderwall | No comments

Saturday, 10 April 2010

What a Bunch of Losers

Posted on 07:00 by jackson



Wonder Con has come and gone, and I got to interview The Losers. Was it awesome? As awesome as the footage they'd shown directly beforehand!
So, yes. It was awesome. This interview also went up over at Screen Rant, so feel free to make me look good and check it out there, as well.
As cast members Columbus Short (Stomp the Yard), Chris Evans (Sunshine), Oscar Jaenada (Trash), Zoe Saldana (Star Trek), Jeffrey Dean Morgan (P.S. I Love You) and director Sylvain White (Stomp the Yard) filed into the press room, the journalists were told in no uncertain terms by Ms. Saldana, “‘We were sweating Oscar all summer, you guys."


Mr. Jaenada proceeded to sit in absolute silence for the rest of interview, seemingly content to emit a never-ending wave of mystery. He may in fact be the coolest man you will ever meet.
From the get go, the camaraderie of the cast members was palpable, and the sit down was filled with as many inside-jokes and as much rapport as the audience had just seen during the panel. Along with a sharp and interesting visual style, the promise of a dynamic cast with great chemistry seems a guaranteed part of The Losers experience.
Many projects here have what could be diplomatically describe as a tenuous link to comic books. How does it feel to be a part of a project that is steeped in them?
Chris Evans: Comic books can suck it.
Jeffrey Dean Morgan: It’s great to be here. You know, this is a great world to be in, and as actors you get all these scripts and what’s great about it is, the stories are original. There’s this kind of ebb and flow in Hollywood, you get the same scripts over and over, every romantic comedy reads exactly the same, and in the world of graphic novels there’s originality there, and some great characters.
Zoe Saldana: You get to expand your craft and be more creative.
JDM: Yeah! So it’s way groovy to be here, we’re all happy to be here, or we wouldn’t have done the movie. That was a crazy question!
Sylvain White: I think particularly for me as a filmmaker and a graphic novel fan since I was a kid, it’s an absolute delight to be here among my peers and present what I’ve done with a graphic nvoel that’s so cool like The Losers and that’s so original in tone. And I think that’s what Jeffrey’s saying, is there’s a lot of derivative material out there and now graphic novels are kind of re-boosting Hollywood in that sense, kind of giving them original stories that are sort of untapped.
Zoe Saldana and Jeffrey Dean Morgan at The Losers panel

SW: There’s two things that I focused on that I knew worked extremely well in the graphic novel, the first thing is the tone: the graphic novel has a unique tone combining really gritty visceral action with a really strong humorous tone. The characters are really fun to navigate the action with, so that’s the first thing. The second thing is that aesthetically, the graphic novel is amazing. And I really wanted to reflect that in the movie. You know you can’t necessarily replicate frames out of the graphic novel, I don’t think that helps anybody, but there’s certain things that I talked about with Jock in terms of the use of colors and the graphic design of the novel that I really wanted to translate into the movie, so we have a kind of comic book aesthetic, but it doesn’t hit you over the head with it. It sort of eases you into that world.
Jeffrey- how much of the original comic do you bring to the role?
JDM: With Watchmen, that was so kind of iconic, that needed to be exactly so close to the comic or people would have ripped us a new one. With this, this was a great foundation to use. For Sylvain, invaluable. For us as characters- invaluable! Because it gives you a really great place to start and jump off. Jock and Diggle did such a good job with defining these characters, and Sylvain allowed us as actors to kind of take what we gathered out of those graphic novels and bring to life what we thought of those particular characters, and relationships, and so we got to play around a little bit more than say I did in Watchmen.
Chris, could you talk about your connection to comic books?
CE: I’m not a big comic book reader, I don’t really have a big history and a love for comic books, I didn’t grow up reading them. But they’re fantastic for films! I was saying earlier in the giant room that they’re great for films in the sense that it’s an intangible thing, you have all these different creative people coming together, trying to make something, and the director is the quarter back, trying to bridge the gap of all these different artists, together, with words. And a lot of times the message can be lost in translation, not all the time, but the beautiful thing about comic books are, even movies based on novels, you have like a blueprint. You have a tangible thing to say this is the world we’re going for, especially in comic books, you have like a color palette, you have a visual home base to kind of root yourself in. As an actor, it’s knowing at least that the people that are behind the visual element of the film have this kind of blueprint to work off of, and as an actor you have something to go off of too, so it’s a treat, it’s always nice working off a comic book because you know what you’re getting into beforehand.
Chris Evans of The Losers and Captain America

Chris- CAPTAIN AMERICA CAPTAIN AMERICA CAPTAIN AMERICA? (This question paraphrased from necessity due to a glitch in the audio.)

CE: [Flummoxed sound that defies transcription]. Aaaaah, I don’t know, I really don’t know. It was… eeh. It was just. Ah.
[The other cast members collapse into laughter.]
CE: I think Marvel is doing a lot of good things right now. And it’s a fun character- I think, even if it wasn’t a comic book, I think just the story of Steve Rogers is great, he’s a great guy. Even if it was just a script about anybody, I would wanna do it. It wasn’t necessarily about the comic itself, it was about -
ZS: It was about the tights.
CE: Any time I can get in blue tights. Um- it’s just, he’s a great character to play. Just so happens to be a comic book.

Sylvain White and the cast of The Losers at Wonder Con

Is there less pressure to do something like The Losers which is not as well known as opposed to Watchmen, Star Trek, FF, something more iconic?
SW: I didn’t necessarily see t that way. I think the pressure comes from the fact that it’s really great source material and you want the translation to a movie to be at least as good if not better. The pressure came from there. But in terms of how aware or not people are of the graphic novel, it was pretty inconsequential for me. I just wanted to make a great movie that can reflect the graphic novel as best as it can.
The forward in the first volume of the collected works talks a lot about the filmic influences on the comic series. How much going back, then, and doing the movie did you look at that- Kiss Kiss Bang Bang, some of the other things listed- how did you incorporate that into your performances and the filming of the movie? (Hint: This question asked by me.)

Columbus Short: …uuh, one of the- one- Hmm.
ZS: ….Wow.
CS: One of the reasons I wanted to do this movie- as an actor I, personally, want to do things that are grounded in some sense of reality. And this is one of the graphic novels that I think, in the last five years, is a) one of the best ones I’ve ever read- and it’s grounded in a sense of reality. They’re not fantastic, they’re not in tights, they’re not flying and have superpowers, but they’re anti-heroes, they’re real guys.
CE: You got a problem with that?
JDM: Ruining half my career, right now.
CS: No, no no, it’s what I like to do. That what I like, and Sylvain is using a grounded material like this, you know what I mean, so it helped in our performance, like Jeffrey was saying, having some freedom, some liberties because it’s not Captain America or Superman. We know what Superman is, we know what Batman is, but we’ve had some liberal ability to change up our characters and give our own take on it, which comes across great on screen, the chemistry with us. Because we all have… we’re all close to our characters in this film, I think, in a real way-
JDM: Blaguyver.
ZS: [laughs loudly.]
CS: I can turn these glasses and this cup into something special.
Sylvain- Can you confirm or deny the rumors about Robotech?
SW: What are the rumors?
That you’re directing.
Sylvain White to direct Tobey Maguire in Robotech movie?

SW: Well it’s not a project that’s green lit or anything like that, so. It’s a great cult series, you know, when it came out I actually saw it in France, growing up. I saw it in French and it’s a pretty amazing cartoon and I’m hoping it’s going to come to fruition. I actually read a draft that was really good, so-
JDM: Are there any parts for us?
CE: I need a job.
So that’s a yes?
SW: I’m interested in doing it, but you know the project is not fast-tracked or anything like that, so there’s no official things, there’s no DL or anything like that. They sent me a draft, I liked it, I think it’s a work in progress.
Is it about the Macross saga? Or does it go through to Southern Cross, or… (Nerd alert- that would be me.)
SW: It’s the first generation. I’ll say this, what’s really cool about The Losers, as well, is that we didn’t try to jam pack all the comics into one movie, we really went back to the source material, started with Ante-Up, which is volume one, and follow the story lineally. So the cool thing is that it’s really an origin story how these guys became the Losers, and hopefully leaves a lot of room, from the source material, for sequels. So hopefully people will like movie and we can keep on enjoying the adventures of The Losers.
JDM: You’re amazing.
CE: That was very well said!
SW: When I came on this film it was an R, the studio perceived it as an R film, and I thought that’s ludicrous, because the tone of the graphic novels - that’s what important, it’s not the violence, it’s how intense and visceral the action is. So I went for that instead of how gory and graphic the violence is. The good thing is it still feels hard, hard as hell. It still feels gritty and realistic.
CS: What does R and PG-13 even mean, anymore? Cuz you can shoot a baby in the face and still-
JDM: F@#!.
ME: R has bad words.
JDM: You can’t say f@#!. Sorry, anyone under 18.
SW: The rules were pretty easy to navigate with this film, particularly, and I don’t think you miss [the language]. Like you watch the movie and [don't] think ‘oh, this is a pg-13 movie’ and I think that’s a good accomplishment.
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Posted in eruditechick, Interview, The Losers | No comments

Friday, 9 April 2010

Canada Wants You To Kill Shakespeare [New Comic Alert!]

Posted on 17:00 by jackson


At Wondercon this year, Eruditechick had the chance to chat with the creators & artist of Kill Shakespeare, a 12 part series from IDW, beginning its run this month.
An epic adventure that will change the way you look at Shakespeare forever.

In this dark tale, the Bard’s most famous heroes embark upon a journey to discover a long-lost soul. Hamlet, Juliet, Othello, Falstaff, Romeo and Puck search for a reclusive wizard who may have the ability to assist them in their battle against the evil forces led by the villains Richard III, Lady Macbeth and Iago. That reclusive wizard? William Shakespeare.
A combination of “Fables”, “The League of Extraordinary Gentlemen” and “Lord of the Rings”, Kill Shakespeare offers a remixed re-envisioning of the greatest characters of all-time, featuring action, romance, comedy, lust, drama and bloody violence. It is an adventure of Shakespearean proportions.
Sounds pretty cool, right? We're a bunch of Shakespeare geeks over here (and you should be too!) so the very idea of this series is pretty exciting. Though the first issue is mostly just setting everything up (cause...it's the first issue) it still features a recap of Hamlet in comic form (which is simply badass), is filled with beautiful art and gives a good taste of the coolness to come. Check out the trailer below, followed by Eruditechick's interview with the delightful trio behind Kill Shakespeare, creators Connor McCreery & Anthony Del Col and artist Andy Belanger. Get ready to enjoy some adorable Canadian accents & Shakespeare geekery.

Trailer

Interview with Connor McCreery, Anthony Del Col and Andy Belanger

:18 Where did the idea for Kill Shakespeare come from?
2:16 How long did it take to get the project off the ground?
2:43 Anthony explains how Shakespeare geek he is
3:07 Have you ever performed Shakespeare? And then Anthony does.
3:33 Andy talks about the artwork
4:42 Which Shakespearean character do you most identify with? Let the sparring begin!
6:08 Connor on Hamlet - interesting stuff if you're a fan of the play (WHICH I AM PS)



For more on Kill Shakespeare, clickity here
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Posted in Comics, Conventions, Interview, Kill Shakespeare, Shakespeare, Trailers, WonderCon | No comments
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