The Walking Dead: A Course In Zombiology TONIGHT at Meltdown Comics! [Event]

Had the pleasure this week of assisting Nerds in Babeland and Meltdown Comics plan their very first in a series of Comic Book Club discussions in their event space. Tonight marks the first installment, The Walking Dead: A Course in Zombiology. Press Release below!

Join us Thursday, January 20, 2011, at 7pm PST at Meltdown Comics in Los Angeles or at nerdsinbabeland.com/chat in the discussion for our first ever Comic Book-of-the-Month club, focused entirely on The Walking Dead. Learn more about the books, the television series, or just geek-out with a bunch of fellow Walking Dead-Heads. Want to know more? Then read on!

Have you ever wanted to get into comic books but have no interest in superheroes and/or mutants? Or, perhaps you have never thought about getting into comics but happen to be a huge fan of all things horror/zombie/gruesome? Or you are already obsessed with The Walking Dead and just looking for people to geek out about the book and series with? At the meet-up, we will discuss the book series from the beginning, and why it might be the perfect book for you to pick up if you’ve been toying with the idea of getting into graphic novels but haven’t taken the plunge.

Jenna Busch (Moviefone Minute, Huffington Post, Cineboobs) will be leading a discussion on the hit AMC program show based on the series, followed by a discussion lead by Stephanie Wooten from Nerds in Babeland on the best-selling comic book series. In between the discussions we will even provide a zombie make-up tutorial by Jackie Bagwell, an owner & organizer of Ashtoberfest (a week-long festival dedicated to all-things zombie).

All attendees will get 20% off all purchases at Meltdown, Inc during the duration of the event. Can’t be there in person because you don’t live in Los Angeles? Show up to the online chat and receive a discount code good for 20% any online order placed through Meltdown Comics.

What: Comic Book-of-the-Month club.

When: Thursday, January 20, 2011 7PM PST.

Entry fee: $6.00 You’ll also have the opportunity to enter a raffle in order to win a copy of a Walking Dead graphic novel.

Where: http://bit.ly/meltmap

RAINCHECK: TWD BOOK ONE is currently out of stock from their distributor. Get 20% off if pre-purchase during the event.

Plus, just got word that there will be a Food Truck on the premises - the lovely Ahn Joo, which I DEVOURED at the LA Times Food & Wine Fest this summer. Its executive chef is Debbie from The Next Food Network Star. Yes I watched it. And yes, she was awesome.

Also, during the television discussion we will have very special guest Juan Gabriel Pareja, who played Morales in four of the six episodes of The Walking Dead season one! He will be on hand to provide a POV of what it's actually been like to be on set of the hit AMC series.

Plus - free beer & wine :).

Hope to see you there!

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Why Everyone Needs to STFU About The King's Speech

Crossposted at Film.com

If one more person types to me with a straight face that The King's Speech has the potential to upset The Social Network, I will scream and/or hit my coffee table with mild force. Because this is not going to happen. There is not the remotest chance of chances that this will happen.

And my opinion isn't totally worthless.

Last year, I said the same thing about Avatar when people started to say it was going to win. I said it pre nominations, I said it post nominations, I said STFU everyone, The Academy may be dumb sometimes, but not Avatar-is-Best-Picture dumb. And I maintain that now, here, in this Awards season, the Academy is still not that dumb. The Academy is not The-King's-Speech-Is-Best-Picture dumb. Or in a more accurate statement The Academy Is not The-Kings-Speech-Is-Best-Picture-Old Fashioned. Maybe in 1954. Maybe even in 2004. But not in 2011.

Now, don't get angry. If you loved The King's Speech, I am not aiming to insult you, it is definitely a good movie and has Emmy written all over it's delightful Masterpiece Theater-esque script, cinematography & direction. But the only, and I mean ONLY thing that elevates The King's Speech from good ol' PBS quality (other than the film grain...) are the performances, most specifically Colin Firth's, and he will be rewarded for it.

The idea that BRITISH AS HELL movie The King's Speech is poised to clean up at the BRITISH FILM AWARDS shouldn't surprise anyone or in any universe be considered as dictating the way the Oscars will go down. Does anyone understand how rare and beautiful a thing it is when an AMERICAN studio movie is as good, relevant, successful & well received on all levels as The Social Network is? Cinematical writer & film buff David Ehrlich will rarely consider an American studio picture as worthy of his top five, but The Social Network is his #2 (behind Certified Copy, technically a 2011 release.) I've heard arguments that the "people who overlap the voting bodies for the BAFTAs and the Oscars overlap more than the Globes and the Oscars, therefore..." But, ummm...was anyone arguing against that fact? Did anyone ever offer the argument that the Globes influence the Oscars because they share voting members? Didn't think so. My hair is SUCH a bird.

Not to mention, once you remove the BAFTA overlap, there are still thousands, yes THOUSANDS of AMPAS members remaining. The closest number anyone has been able to estimate in terms of overlap is roughly 1000. There are just under 6000 members of AMPAS. Plus, the BAFTAs are notorious for having an obvious and acceptable bias towards British film. Most importantly, in the past 11 years, the BAFTAs and the Oscars have only agreed on Best Picture four times. That's not even half. NOT EVEN HALF. OF THE TIME. LESS than HALF. You with me?

A conventional, safe British film about a 20th century king, consisting mostly of close-ups and sentiment is not going to win Best Picture in a year where its competition involves an astonishingly original science fiction movie, the return of the Western, a new & unconventional story about a new & unconventional family dynamic, a hallucinatory extravaganza set in the world of ballet - even The Fighter isn't the typical schmaltz-fest the trailers made us think it was. The best movies in 2010 were not Oscar bait bullshit, they've been original, innovative, creative, often times genre-bending, and in the case of The Social Network, perfectly scripted, acted, directed, edited and relevant. And in case you aren't convinced yet, I'll have an article up on this site few days explaining exactly why The Social Network deserves the win.

One thing I'll grant you - in such a predictable year, having something to root against is fun, it at least allows for a tiny bit of suspense come February 27th. But don't kid yourselves. The King's Speech doesn't ACTUALLY have a chance. And can we please take a moment to appreciate that fact? This is a good thing, guys. The Academy is getting a clue. The Social Network FTW!

Editor's Note: The King's Speech has since won the PGA, but the PGA only has a 65% overlap rate with the Oscars, and that is in years when its winner has won *other* awards. In this season, the PGA is the *only* award The King's Speech has received in the Best Picture category

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Deep Thoughts About The Scream 4 Trailer

Things I am obsessed with: Scream. Things you should be obsessed with: Scream. Today's lesson rules!


Naturally, with a Scream obsession, comes an OH DEAR GOD CAN IT BE APRIL NOW BBZZZZZGZUIGH reaction to the upcoming fourth installment. So when the trailer hit the interwebs Thursday evening, I had to watch it. And analyze it. And marry it. Here are my deep thoughts.


First, stray observations!


With the horror genre being reinvented every decade, this means new Scream movies could come out every decade, pastiching whatever new method of scares we discover. Pastiches are better than parody, after all. In fact, I pretty much hate parody. Like, a lot. I'd be happy if no one ever made a Scary Movie Epic Movie Vampires Suck whatever the hell ever again.


Is that one character related to Cotton Weary? Cause he looks just like him You know who I mean because it looks just like him. Is it safe to assume that since Emma Roberts is related to one of our original characters, others will be as well? Like Cotton Weary Jr? If the fact that he is a spitting image of Liev Schreiber turns out to be pure coincidence, I will be very disappointed.


In this trailer, instead of Kristin Bell & Anna Paquin facing sure death, we get Alison Brie! Alison Brie's in this?! Who decided that?! I'm excited. Can you tell I'm excited?


David Arquette looks like he hasn't aged a day. My crush on Deputy Dewey is coming back. Oh god. I can feel it. It's happening.


But unless you are weird like I am and think David Arquette is adorbz, there's no male eye candy in this movie. Yet TONS of gorgeous women. Only expecting a male audience, much?


Now for some specific moments in the trailer. Follow along!


.52 - "He's trying to do Ghostface"


Because this this the fourth in the series, expect the movie to be meta meta meta. The trailer leads us to believe that the killer isn't a copycat of the original murders, but a copycat of first Stab movie, based on the original murders, which came out in the second Scream movie (hey now woah now!). So not only does everyone know how horror films work, they know how Stab movies work. They know who Ghostface is. Well. So when they pick up the phone and someone asks "What's your favorite scary movie?" rather than being afraid or even creeped out, their response is "omglol." Meta goodness OMNOM!


1.13 - "It's all over the Internet!"


Because, after all, it is 2011, expect technology to play a huge role. This is a meta meta meta satire slasher film set in the age of Facebook, Twitter and Texting. While such things may be over Dewey's head, the rest of the cast is mostly under the age of twenty-five. I'll be surprised if no one gets a text from Ghostface. Or at least makes a joke about getting a text from Ghostface. But Ghostface wouldn't be scary in text. Please don't text anyone, Ghostface.


1:47 - "Guaranteed third act main cast blood bath"


I suspected as much from the moment I heard "Scream 4", but expect a major character to bite it - Dewey, Gale or Sydney. I kind of hope they all make it out alive, but the Scream movies to tend to follow their own rules. Idea! Kill Gale so Dewey can go out with me.





1:57- Hayden Panettiere Shows Off Her Memorizing Techniques


One of the best things about the Scream movies are how they take place in a world where scary movies exist - it's partly what made the first one so groundbreaking and it's nice to be reminded of that fact. Seems like there will be plenty of references in this chapter, even if they are all in one breath. Hayden Panettiere listing off all the horror remakes literally just gave me goosebumps. I am a NERD. Also - which movie could he possibly be referring to?! What didn't she say?! OPEN, MOVIE, I NEED YOU.


I feel good. Scream makes me feel good. Is that weird? I don't care. I know where I'm gonna be at 12:01am on April 15th and that's all that matters.

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The 2011 Golden Globes: What We Learned

crossposted from Film.com

It's that time of year again! In which we reflect on the grand & not at all frivolous evening that was the Golden Globes. What did we learn this year about the Oscar race, about Hollywood, about life, about Angelina Jolie's shockingly not-always-glossy lips? My very scientific analysis below:

The Social Network Officially Cannot Be Beat
I mean, yes, most of us figured it was a lock for the Oscar anyway, but after rumblings of possible Globes upsets from The Fighter or The King's Speech turned out to be rubbish, I don't think there's anything stopping the film at this point. Picture, writer, director are in the bag. So most likely editing as well. #oscarhistoryreference.

I'm beginning to hear insider discussion of another film in particular upsetting on the night (more on this when I do my annual interview with an Academy member), but a lot in the atmosphere would have to change in a month for this to be possibility. When every critics group picks the same movie, its subject is named Time's Person of the Year AND everyone says the Academy will be out of touch if they pick something else, it doesn't leave much room for members to vote with their hearts, does it? It would be nice one year if the Academy got to actually pick its favorites instead of being bullied into staying in line. For more on this topic, check out an article I wrote last season - Oscar & The Art of Influence. This year also happens to be the first time in a long while that I actually think the unstoppable force sweeping the Oscar pre-season DESERVES the win, but it feels tainted when the Academy doesn't really have a choice.

Ricky Gervais Will Not Be Hosting Next Year
The HFPA is reportedly very upset with the British comedian, because it turns out they're all still in elementary school, but some folks, like Badass Digests' Devin Faraci don't think he went far enough. Still if the "Golden Globes Boss" (is that an official title? really?) doesn't get the joke anytime soon, expect a safer choice to be announced for next year. Laaaame. I personally enjoy the RDJ coined "sinister" undertone of Gervais hosted evenings. It leads to a fun game called "Which Actors Are Self Aware and Which Actors Have Their Heads Up Their Asses?" (For those keeping score at home, Self Aware: Johnny Depp, Steve Carrell, Bruce Willis. Head up your ass: Tim Allen, the HFPA, Scientologists.)

There Are Five Kinds of Actors: Classy & elegant (Colin Firth, Annette Bening, Claire Danes) Charming & Hilarious (Tina Fey, Jane Lynch, Steve Bushemi), Slightly Insane (Melissa Leo, Tilda "Happy New Year" Swinton, Christian Bale), Mind-bogglingly Awkward (Robert De Niro, Natalie Portman, Andrew Garfield) and Get Off The Damn Stage (Jennifer Lopez, January Jones). Though Bale was actually in fine form last night. Perhaps fashioning himself as a knight on the outside brought out his inner chivalry and good nature.

Rango Opens Nationwide March 4th
I can never unlearn this


Hollywood is Still Too Afraid of Scientologists to Laugh at Scientology Jokes
One of the best (it's funny cause it's true!) jokes of the evening took a fun stab at the Church of Scientology. But due to the fact that there was a Scientologist at every other table, no one could really get away with laughing without fear of disappearing into the night. If Ricky Gervais suddenly vanishes this week - we all know why.

Andrew Garfield Will Be The Perfect Peter Parker
His flub would have looked embarrassing on anyone else. But Peter Parker makes awkward look GOOD ya'll.

Hailee Steinfeld Will Be STUNNING in 10 Years
That girl has a FACE. I don't care if she's only 14. You can tell. Especially seeing her tower over that small child girls her age are supposed to be lusting after, when she was presenting. Here's hoping she goes the way of Scarjo Napo & Anpaq and not the way of Dustin Diamond. #legitimatestatement

Best Actress Race Is Still Up In The Air 80/20 Natalie Portman/Annette Bening
For some reason there is a prevailing notion that the quality of one's speech at the Golden Globes will determine the Oscar outcome. A. that's dumb and B. that also might be true. But I've heard from the Portman Supporters that Bening was too stiff and from the Bening Supporters that Portman was too frenetic. We can't ALL be Chris Colfer, you guys. So. Back to square one. Yes, Natalie is young & pregnant & glowy, but Benning is legendary, has never won, lost twice to Hilary Swank of all people, and is married to 1962 Golden Globe winner for Most Promising Actor, Warren Beatty. Maybe, just maybe, the winner of this category will be based on whose performance the Academy members like best. What a notion. Long story short, I don't think Portman has it all tied up as some critics too. If Bening wins on the night, it will be seen as an upset, but at least there is still a POSSIBILITY of an upset, which can't really be said for Best Actor or Supporting Actor. 

For Supporting Actress, Melissa Leo is still the clear front-runner, but if we're going by the very precise method of measuring speeches, Leo's...all over the place-ness may have hurt her chances . Let's hope those "who gives the best speech" Academy members saw her delightful & classy speech at the Critics Choice Awards this weekend. This woman's been acting a LONG time. And is amazing. Give her an Oscar please.

The Cast Of Love Actually Rules
Wins for Laura Linney & Colin Firth and plenty of shots of Andrew Lincoln at the table for nominated drama The Walking Dead. When Colin Firth won, I definitely said "I hate uncle Jamie" out loud. Did anyone in the room understand why I would ever say something like that in that moment? No. Did I care? AbsoLUTELY not.

Lea Michele Doesn't Understand What Being A Human Being is
The amount of mugging Lea Michele was engaging in Sunday night was bridging on offensive. Sometimes you can feel something without mutating your face into multiple shapes and sizes. Life isn't musical theater. Well. Actually. I guess her life is about as close as it gets. But she stills needs learn how to be a person at some point.

Garrett Hedlund May Also Not Understand What Being A Human Being Is
But that's because he's a robot

If a Television Show is Shiny & New and/or Glee, It Will Win All The Gold
I love Boardwalk Empire, but Mad Men season four may go down in television history as one of the best seasons of television that ere was. Boardwalk Empire is a great new show that didn't pick up until halfway through its first season. But everyone in it talks funny and the lead is a movie star, so, ok, yeah, that makes sense.
Also, yes, Glee is definitely, hands down the best musical nominated for best TV Show, Musical or Comedy, but it is not the best comedy. Jane Lynch & Heather Morris are doing their best to hold down the fort, but Modern Family has not a single weak or lacking comedic performer in the entire bunch. Globes, when you tempt me with interesting, deserving choices like Katy Sagal & Chris Colfer, I forget that you're mostly worthless. But then you remind me, so it's okay.

Christian Bale worships Robert De Niro, Tilda Swinton is in awe of Al Pacino, Lori from the Walking Dead has a Melissa Leo fixation, Melissa Leo has a crush on Jeremy Irons and Natalie Portman loves Jeff Bridges.
Though who doesn't?

Mark Wahlberg is The King Of Hollywood
I don't like Mark Wahlberg so I don't really like this lesson, but he is inexplicably a producer on Boardwalk Empire and apparently Christian Bale & Melissa Leo would have been nothing in The Fighter without him. So. Bully for you, Mark Wahlberg.

Celebrities Are Friends With Other Celebrities!
This isn't, erm, a "lesson" per se, but it's an excuse to list the fun friendship sightings of the night: Jake Gylenhaal and Jason Segel  during E!s Red Carpet,, Emma Stone & Mila Kunis unwittingly creating the greatest gif in gif history, Katy Sagal  & Ed O Neil via reaction shot.

Robert Downey Jr & Emma Stone Have Good Chemistry
No? Just me?

Matt Damon Continues to be Smarter Than Just About Everyone Ever
His  De Niro intro was so clever, that it seemed to go over the heads of  most of the audience for about 85% of the speech. For some reason his  speech convinced ME that he must be the greatest husband evar. I have no  explanation for this.

Smart Girls Have More Fun...
...But you'll only get to go to the Golden Globes if you're beautiful. Thanks for mixed messages, everyone in the ballroom/Hollywood.

Another year, another slew of life altering lessons learned. And hey, even if this awards season turns out to be as boring & predictable as we're all suspecting, at least we know to look forward to some great speeches. I'll take all the giggly Natalie Portman, self-deprecating Colin Firth, bizarrely ecstatic Christian Bale and energetically sincere Melissa Leo I can get.

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Winter is Coming

Remember when this series was going to be amazing and set the bar for what can be accomplished in a period drama action series in a long-form storytelling format?



April 17th, baby. April 17th.

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DC and M.A.C. Team up on Wonder Woman Make-Up Line

M.A.C. Cosmetics and DC Comics are collaborating on a fascinating consumer product. Wonder Woman Cosmetics.

More After the jump on why this is has turned me into a raving 4-year-old, as well as a discussion on masking and archetypes of strength.


Below, you will see the only consumer product for Wonder Woman I have a memory of as a child, and lordy did I look. I had a paper crown and a piece of rope and thank goodness her plane was invisible. I also have fond memories of my mother driving me to Burger King not once but twice in a week, an fairly unheard of event because neither of us cared for Burger King's food, and purchasing not just one or two, but three of these figures. One went to Mom, and two to me. I painted one up and the other was a staple figure in my doll collection who endures to this day in storage.

One step above a hoop and stick toy, clearly.

Today you can find plenty of Wonder Woman toys online, a little girl who wants to play with Wonder Woman has a lot more options that I did. So, how do I feel about a make-up line aimed at adult women? The answer is a restrained, grown up, totally internal 4-year-old's squeal of glee.

The World Would be a better place if everyone's job made them feel like this.

 Someone over at Allure (pictured above) Got to try it out.

Comic-book characters and beauty companies don't often cross paths (though a line of Superman hair gels and shine sprays could have really taken off, we say). Now M.A.C. is bringing the two together with its limited-edition Wonder Woman makeup line. Along with bold lipsticks and shadow quads, colored mascaras, and jumbo-size—Ms. WW is, after all, an Amazon—lip glosses, bronzers, and liners, the collection also contains quirky metallic accessories: No lasso of truth hangs from the gold utility belt, unfortunately, but it is equipped with small makeup pouches on each side. And the "Invincible" hand mirror (which you can see me modeling above in my best attempt at a Wonder Woman pose) is, well, pretty awesome.

This consumer product seems well thought out. Not only is it capitalizing on the fangirl market, but the woman who is putting on her strongest, most powerful face when she puts on makeup. For many women, makeup is more than an attempt to look prettier. For many, makeup is considered a quotidian and essential part of work attire, something that will go unnoticed unless it isn't there and often, becomes a ritualistic part of preparing oneself to face the world for the day.

Eyeliner

Lipstick

The aesthetic component of the materials a woman uses for that ritual is an important factor in how she feels about her day and about herself. Not to mention an essential component of distinguishing products from one another in a glutted market.

Pictured: 10,000 names for "pink"

Contrary to many opinions, makeup is as much for the person putting it on as it is for the person they encounter. From this abstract, that is representative of tones I've seen in many papers on masking: 

 There are four broad ways of approaching the definition: masks as theatrical, figural, spiritual and/or utilitarian. Even within these categories, however, there two further types to be investigated: the hard mask and the soft mask. As far as differences go, the hard mask and the soft mask produces varying levels of intensity and psychological effects, which I've shown through the example of pantomime and Bamboozled. Furthermore, masks have frightening power over the human psychology by which they can effectively create a new identity. Masks are distinguishable from the face in that they are not the truth as Aristotle and Plato claim that the face is, but instead create a new image, material or immaterial. An example of an immaterial mask would be stereotypes. Though masks act as an extension of the body in that they add layers to the skin, they are complexes of reduction in that they amputate a person's soul. Masks become both a medium of understanding and misunderstanding. 

And much hay is made about how people act in masks soft and hard alike, in phenomenological theory as well as sociology and philosophy. Cosmetics are essentially selling a mask, and the person using those materials are applying one that they are determining based primarily on its aesthetic packaging presentation. MAC has made its brand on having bold pigments and carrying a wide range of colors not carried by other product lines. This makes it a perfect fit for a comic book license.

Beyond that, selling a cosmetic line that will create associations of strength, beauty, amazonian power and play to childhood affections is a smart move. Playing to the growing subculture of woman who enjoy cosplay, the integration of functional costume elements, the Utility Belt, is insightful and will pay off massively. The lack of power bracelets makes me hope that they will do a follow up to this special edition line.

This sort of association between a consumer product and the narrative of Wonder Woman, is a perfect example of how to consider the fantasy fulfillment and sensory experience that translates from narrative to object. Whether you love Linda Carter or Justice League, or if you're an old school comic book fan, or if you primarily played with a cup holder for your youth you can experience some of the feelings that Wonder Woman invokes when you use this makeup.

Great Hera! won't someone tell me where I can actually buy this?

Update: Not until February at Sephora.

No, Falling from the sky does not count

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The Thrilling Adventure Hour: One Of Los Angeles' Finest Hours of Entertainment [Event]

I had the great pleasure this past weekend of seeing The Thrilling Adventure Hour at Largo on La Cienega, a show that's been running in Los Angeles for five years, but has only recently begun getting the amount of attention it deserves. Created in 2005 by Ben Acker & Ben Blacker, The Thrilling Adventure Hour is a throwback to radio plays of the 30s and 40s. Each month features an installment of three of Acker & Blacker's ongoing serials, told in an old fashioned style, but with modern sensibility.

This month, we saw:

Sparks Nevada: Marshall of Mars,
Marc Evan Jackson as the melty voice Marshall (his voice. was so melty.)
Mark Gagliardi as his Martian sidekick
Busy Phillips as the woman stuck between them
Guest Star Yvette Nicole Brown as the Trouble Shooter
(Theme song sung by Sean & Sara Watkins!)

Captain Laserbeam!
John DiMaggio as the title hero
Hal Lubin & Guest Star Matt Braunger as his prepubescent sidekicks
Guest Star Nick Kroll (whose vocal choice was indescribably hilarious) as King Mammal
John Ennis as his number one henchmen
(Theme song sung by Yvette Nicole Brown & The Workjuice Players)

Jefferson Reed, Ace American
guest star Nathan Fillion (having the time of his life) as Mr. Reed
Annie Savage as his best gal
Samm Levine as a fellow soldier
John DiMaggio as the general
Craig Cackowski as a nasty Kraut Nazi

In between each episode, and during the opening of the show, we got spot on satirical recreations of old radio ads for cigarettes and coffee, starring the rest of the Workjuice Players, mostly featuring the hilarious James Urbaniak (Dr. Venture himself!) & Mark Gagliardi as New York cops (and sometimes perps) who really love their Workjuice Coffee & Patriot Cigarettes.

On paper, this idea sounded amazing and I was THRILLED to discover that it actually is as wonderful as I had hoped. An hour of pure joy. Not only is this kind of humor right up my alley (I'm looking at you, Marc Evan Jackson in particular, and honoring you with the "Greatest line readings ever" award for the evening) but it's nothing short of exhilarating to see actors I enjoy having a great time on stage, totally committing, giving it their all, and delivering fantastic results.

There's a fine mix of players too - comedians, voiceover actors, Freaks & Geeks alum, and high profile guest stars like this week's Nathan Fillion, Community's Yvette Nicole Brown, The League's Nick Kroll & Nickel Creek's Sean & Sara Watkins. Every person brings something unique to the table. A lot of the players who we would recognize from the small screen like Nathan Fillion & Samm Levine would give a few winks & nods (literally) to the live audience - if you listen to the podcast and hear uproarious laughter in places that make no sense, it's most likely because of some perfectly timed mugging, courtesy of Fillion or Levine.

A highlight of the live experience was when  Samm Levine raised an eyebrow to the audience when another character described his character as having "arayan good looks", which appropriately brought the house down. One of Fillion's best "unheard" moments was when Craig Cackowski's nazi told him in Germany they just called German Shephards, Shephards. Fillion didn't react for a long while until finally his Jefferson Reed "got" what the nazi was saying & nodded - a brilliant move, but one only witnessable by those in the audience - a case for heading down to Largo in person instead of waiting for the podcast to be released.

Then you have the voiceover gods like James Urbaniak & John DiMaggio, who use their voices in such varied, exciting ways (particularly DiMaggio in this edition, who got to play a few different characters) that you as an audience member feel like you're witnessing something truly special. And finally, the comedians like Paul F. Tompkins, would crack us up with their particular takes on the material. Tompkins took on a drunk Errol Flynn during the commercial breaks in this installment that had Workjuice Players themselves losing it in the background.

Having dabbled in recording original noir radio plays in my time, it was nice to see that kind of recording done on a large scale - a MUCH larger scale. There's clearly a lot of passion here. There's a full band, 3 mics, plus a special area for the announcer (Hal Lubin) and someone, somewhere is doing sound effects, which I'm fairly certain were recordings this time, but my understanding is they are sometimes done live. And the actors don't just dress nicely - they dress period. Busy Philips & Annie Savage even had costume changes. Yvette Nicole Brown rocked a tight black sheath and had her hair styled straight of the late 30s. The men all wore suits and looked mighty dapper. The Workjuice Players don't fuck around - everyone does what they can to make the audience really feel like they've been transported back in time & are a part of this experience. I'm even considering dressing up for next month's show. No joke.

An added bonus! Get to the show early enough to have a drink at the bar, and you may catch actors from the show, or in our case, the Watkins Siblings, sitting beside you. You can also buy posters, hot cider & cookies that I heard were amazing, and afterwards, chat it up in the courtyard with your favorite Workjuice Players.

I truly can't recommend this experience enough. As soon as it ended, I, along with some of the people who came with me, immediately bought tickets for next month. Buy yours here - both February and March are on sale now! And for the first time ever, these shows are being recorded for podcast! The August 7th show is online now. You can subscribe by clicking here.

If you're based in the San Francisco area or are looking for an excuse to take a trip there, the San Francisco Sketchfest next weekend will feature two Thrilling Adventure Hours and the cast list is unbelievable. Aside from the usual suspects, the shows will feature Neil Patrick Harris, Alison Brie, Colin Hanks, Danny Pudi, Donal Logue and more. To quote Workjuice Player & sweetheart Samm Levine "I don't know if it is sold out, but if not, buy a ticket, you won't be wrong...?"Click here to take Levine's advice.

For more info on the Thrilling Adventure Hour, head to the website here.
For more photos from the evening by Jonathan Reilly, including behind the scenes shots, click here.
Follow The Thrilling Adventure Hour on Twitter - @ThrillingAdv

And stay tuned here for interviews with some of the cast members, as well as a peak at the movie a bunch of the Workjuice Players made together, Drones.

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